My brilliant co-conspirator, Amber Winick, and I spoke about our project. “Designing Motherhood: A Century of Making (and Unmaking) Babies,” at Sotheby’s on Mother’s Day. One of our sheroes, Meg Crane, who designed the first at-home pregnancy test, came to the talk and made our day. Thanks to Charlotte Burns for having us.

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I wrote about parenting, labor, and the art world for Hyperallergic (article here). I don’t think anything I’ve ever written has prompted so many responses as this article, and I’m working with colleagues on ways to corral this shared energy into new mechanisms for change. Be in touch if you want to join.

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Right now, I’m super excited to be collaborating with brilliant design thinker Amber Winick on a book and exhibition, Designing Motherhood: A Century of Making (and Unmaking) Babies. Find it on Instagram at @designingmotherhood

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Recent piece for Hyperallergic, “African-American Designers Hidden in Plain Sight.” We see objects like the View-Master and New Breed dashiki, both by Black designers, often in our daily lives and yet find them almost nowhere in the places where we preserve and examine our culture. Read more here. 

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  I was on a panel at TEFAF Spring 2018 titled “RESTRAINING/ADVANCING WOMEN IN POSTWAR AMERICA – IN ART, FASHION, AND MEDIA, 1947-1970” / Restraining and advancing was the critical tension in the depictions of women in art, media, and fashion throughout the 20th century. Perhaps no other period saw such polarized representations as the post-World…

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In September 2018, I moderated a conference on Sustainable Fashion at the French Embassy in New York, featuring from left to right Anne Fontaine, Hervé Ferrage (Deputy Cultural Counselor), Dorothée Charles (Anne Fontaine Foundation) (and me), Marie-Laurence de Chaunac (President of IFM Alumni USA), Laurent Claquin (Head of Kering Americas), Nicole Rycroft (Founder of Canopy),…

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