I was interviewed (here) by my former colleague, Ariele Dionne-Krosnick, for Crea-co about what it means to be a curator today, the challenges of highlighting diverse work in a field notorious for its lack of diversity, the mentors who have inspired me, and some of the unique design stories I have uncovered along the way.

I was part of a visual commission instigated by Creative New York and shot by legendary photographer Brigitte Lacombe showcasing the face of MoMA’s future: young curators and fellows representing each of the Museum’s curatorial departments and MoMA PS1, pictured alongside some of the most exciting New York–based artists.

Items made the NYT end of year best book list for its catalogue and for the exhibition itself!

  “Profuse” is a useful word with which to approach this ambitious, high-concept effort. Organized by Paola Antonelli, senior curator of the Modern’s architecture and design department, and Michelle Millar Fisher, a curatorial assistant, it has involved years of research and travel and is as anthropological as it is aesthetic. Full NYT review here.

I was part of the broadcast as Gilbert Baker was remembered for his powerful design of the Rainbow Flag